In Whispers, the build-up and mystery is of no real relevance – the Satanism aspect is a blind, it is only a straight serial killer story with Koontz using the improbable twin angle (whose end revelation is preposterous and unbelievable in the psychology he asks us to believe) to try and fool us into believing it is an occult story. His stories only work in term of their intended impact, not when one examines them logically. Koontz is regrettably an author of contrivations. Unfortunately, the film fumbles it – and most of this appears to be Dean R. Police detective Chris Sarandon comforts harassed writer Hilary Thomas (Victoria Tennant) The very strangeness of the mystery holds one to it simply out of the desire of trying to figure out what is going on. These scenes are filled with a number of strange and threatening images – Jean Le Clerc hiding on the roof of Victoria Tennant’s elevator or going to sleep outside her bedroom with masking tape over his mouth. Whispers starts out well with an attack on a woman that seems almost supernatural in its total lack of evidence found by the police and then the killer’s apparent return from the dead. Murder (tv mini-series, 1998), Sole Survivor (tv mini-series, 2000), Black River (tv movie, 2001), Frankenstein (tv mini-series, 2004) and Odd Thomas (2013) – have with odd exceptions – Intensity (tv mini-series, 1997), Phantoms (1998) – rivaled the filmed works of King in terms of sheer banality. Koontz’s adaptations on film – Demon Seed (1977), Watchers (1988), The Face of Fear (1990), Servants of Twilight (1991), Hideaway (1995), Mr. Koontz is the only horror author whose popularity has come near rivaling that of Stephen King.
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How to make my custom type to work with "range-based for loops"?.How can I make a window transparent in Windows, Mac OS X, and Linux using FLTK?.How to make libraries work well with Linux packaging?.How can i make a tray icon in Linux using C++?.How to make a linux command-line program work in windows?.How to install codeblocks in Linux mint 17.1 (KDE).How can I make std::find_if and std::map work together using some boost library?.how to make argument deduction work for derived class which using base class constructor?.How to install TBB from source on Linux and make it work.How to make Qt4 work using Code::Blocks in Linux Mint.To learn how to make a customized makefile, you can read this answer.Īlthough that CB is an optimal environment for working with wxWidgets, and C/C++ in general, I personally think that in the case of working with Qt, QtCreator provides a development environment more native and optimized to work with your projects QT. Now, when compiling with the standard project ".pro" and if your project has the requirement to use a "moc" tool strategy, the simplest way to do that, is use a customized Makefile, with all stages of compilation. Will be the default "usr" which should be replaced by "/usr/bin" Is very likely that your build directory, is not correctly assigned in "Settings->Compiler and Debugger->Toolchain. Note: "/usr/local" and "4.8.1" are variables depending on where When we start a new project and asks the location of our SDK we indicate this directory /usr/local/QtSDK/Desktop/Qt/4.8.1/gcc You can use the version available in "Software Manager" So, all references inside your IDE should refer to this location. Now your QtSDK is installed on the folder eg "/usr/local" You can follow the graphics steps to install the SDK, I advise you to check the option "download source", later this is going to be used for debugging code, and if necessary will allow the recompilation of some classes. You have more independence in development, it also allows you to workįreely with multiple versions of Qt simultaneously without move any Note: You could also use the precompiled version for your Mint version,īut in my personal experience, when working with external SDK, Tags ACCU AI Algorithms Amos Decker Apple Apple Watch AppleWatch Arthur C.As a first step I would advise you to download directly the QtSDK, from the project site here.SlateMail - a newbie's project to streamline his email.How to write a Watch Face App for Apple Watch.How to write optional parameters in F# with default values.Book Review: The Dark Forest, Cixin Liu.Book Review: The Goodbye Man, Jeffery Deaver.Book Review: The Gods of Guilt, Michael Connelly.Book Review: Bitcoin Billionaires, Ben Mezrich.Book Review: The Abduction, Mark Gimenez.In the meantime, I’ll be hanging out with VS2012 Nov CTP. Looking on the bright side, gcc 4.8 should be along soon and I’m sure the support for std::thread and lambdas will be working by then. And the code to provoke it is hardly pushing the boundaries of threading: void sayHelloWorld() In fact, it seems this is a long standing issue. Still no joy, this time the program aborted: So I thought I’d cut my code down, eliminate the lambdas and focus on std::thread and std::condition_variable. Unfortunately, gcc 4.7.2 has left me disappointed.įirstly, I tried to compile my whole concurrency project – I was expecting a few minor tweaks (gcc was stricter on how I declare my template functions), then I hit this Internal Compiler Error:Ĭoncurrency.cpp:156:1: internal compiler error: in get_expr_operands, at tree-ssa-operands.c:1035Īpparently, this bug has been fixed but not yet released – it’s due to calling a member function from a lambda in a templated class. The upgrade worked fine – I’m quite impressed with Linux Mint and with CodeBlocks. I’ve written some C++11 concurrency code in VS2012 with the November CTP and wanted to test if it would also run on Linux compiled with gcc – hence the effort to upgrade my laptop over the last couple of days. Although Mountain Lion required 2 GB RAM, it isn’t recommended to run Mavericks, Yosemite, or El Capitan on so little, and 4 GB should be classed as the minimum. Okay, I knew September 30th was the release date, but there seemed to be no fanfare from fans or the media. It was quietly ushered into the App Store.Īpple haven’t upped the requirements for El Capitan, which remain unchanged since OS X 10.8 Mountain Lion was released in 2012. I woke this morning to find Apple’s 2015 offering of OS X 10.11 El Capitan was ready for download. I appreciated the ability to surf the Web in one window on the left and then drag and drop a link into the new Notes app on the right.El Capitan is the twelth revision of Mac OS X. You can also easily resize the width of each pane using the slider bar in the middle, although one window would blur as I did that. I like that you can flip the position of each window by simply dragging it in the direction you want. My beef with Split View is that it automatically defaults to a full-screen view of the two apps. Apple says this is an unobstructed view, but I don't like having to use the cursor to scroll down to see the dock or scroll to the top of the screen to see the menu bar. At least you can swipe sideways with three fingers on the trackpad to see your desktop and other Spaces you may have created. It's also worth noting that Windows 10 supports up to four snapped windows at once, whereas El Capitan allows only two.Īs someone who is awful about closing open apps, I often dread using Mission Control to manage windows, because multiple instances of the same app (like a bunch of Word docs) get piled on top of one another in a stack. The El Capitan notebook took 284.5 milliseconds, and the one with Yosemite finished in 477 milliseconds - a 67 percent improvement. People with large photo libraries will appreciate how much quicker the Photos app now loads. With 28GB worth of images and videos loaded on our El Capitan and Yosemite Mac notebooks, the Photos app took 111.25 milliseconds to load on Apple's new OS, versus 200 milliseconds on last year's OS. In my experience with El Capitan, I saw smooth performance across the board, whether I was editing photos in Pixelmator or surfing the Web. Then again, I didn't see a difference in website load times between El Capitan and Yosemite. You'll get more benefit from the new OS X when you have bigger files and libraries to load. Metal graphics technology has also come to the Mac in El Capitan, which should have a big impact on everyday tasks as well as resource-intensive ones. Apple claims Metal, first introduced on iOS, results in a 50 percent increase in rendering performance while improving efficiency by 40 percent. The rendering enhancements Metal provides should bring benefits to both gamers and creative pros. During the Worldwide Developers Conference preview of El Capitan, Epic showed off the game Fortnite, which involved complex graphics and effects that ran smoothly. Apple says to expect up to 10 times faster draw-cell performance on higher-end games. Apple also boasts that users of Adobe After Effects will enjoy up to eight times faster rendering under El Capitan. One of the first things I do when I test a new Mac is load Chrome, because I'm so used to Google's browser. Our system is engineered to comply with HIPPA guidelines, which means that convenience for you never compromises confidentiality for your patients. 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Return Path.GetDirectoryName(path) Path.DirectorySeparatorChar Īwait Task.Run(() => Parallel.ForEach(Data. UpdateProgressBar(null, "Sprites", progress , ) ScriptMessage("Export Complete.\n\nLocation: " texFolder) TextureWorker worker = new TextureWorker() String texFolder = GetFolder(FilePath) "Export_Textures" Path.DirectorySeparatorChar Make sure the window looks like this, with your beginning and ending offset entered, before you click "OK": Click the "Edit" tab, and click "Select block". It's a lot of code to select, so to speed things up HxD has a select option to automatically select the block of code you want, using the beginning and ending offsets. Highlight offest 0 to 3A6F3 and delete it using backspace. If you highlight more than one byte HxD will show the first and last offest you've selected at the bottom of the window, under a "Block" label.įirst we are going to delete the unnecessary code at the beginning of the file. Image result for Hyper Light Drifter Sprite and background animations are plenty and. By default it automatically highlights offset 0 when you first open a file, the very first byte in the file. But by no means does that say the entire look of the game is outdated. In HxD's case, it's in the bottom left corner. Usually hex-editing programs show somewhere the offset (the "location" in the file) of the byte you've highlighted. Hyper Light Drifter Heart Machine Character Game, 2.5 d sprites, game, cartoon png 900x1149px 391.74KB Hyper Light Drifter Kickstarter, fruit loops, game. We are going to delete the extra data this part is tricky so read carefully. Because of this extra data it's unreadable by dedicated Game Maker-ripping programs (one of which we are going to use in a bit).įor this step you're going to need a hex editor (I am using HxD ). Remember our ".data" file? That's actually a data.win file wrapped in extra lines of data. Hyper Light Drifter was made with Game Maker, and generally games made with this engine have their data stored in a "data.win" file. Hold “Shift” on the keyboard to draw a line.If you don't care about them not being organized, then you don't have to read any further if you don't want to because I'm gonna cover the harder way next. Remember to set the “Size” to 1 under the Tool Options to draw a single pixel. The following GIF shows how they look ( Pencil on the left, Paintbrush on the right). The Paintbrush, on the other hand, has anti-aliasing and will attempt to smooth over the pixels wherever you draw. The Pencil is your primary drawing tool because it colors each pixel without any anti-aliasing. A character sprite could have one layer for the head, one for the clothes, and one for the weapons. If you’re drawing a scene for a town, for example, each building and prop would be in its own layer. It’s good practice to have each asset or very similar assets in their own layer. Like most art programs, GIMP works in layers, which helps organize your drawing into parts and allows you to edit each part without affecting the others. For a size reference, the character above is a 32x32 sprite. This is how it looks in-game:Ĭharacter sprites are treated differently and are generally of the size 16x16, 24x24, 32x32, and 64圆4. To achieve a pixel perfect look, you need a resolution with a 16:9 aspect ratio that scales up to 1080p.įor example, Hyper Light Drifter has a resolution of 480x270 (270p with an aspect ration of 16:9). The current standard resolution is 1080p (1080 pixels in the height). Nearly all monitors nowadays have an aspect ratio of 16:9 (width to height ratio), which means that for every 16 pixels in the width, there are 9 pixels in the height. Part 1 of this series will cover the basics and showcase the key tools you need to achieve pixel perfect art. I picked it up just last week for Itch.io’s Loading Screen Jam, and it turned out to not be too difficult once I got the hang of it. In this tutorial I’m going to use the image manipulation program GIMP, which is similar to Photoshop but free and open source. Part 2 and Part 3 are currently in progress. In part 3, we create a vibrant scene in a style inspired by Hyper Light Drifter. In part 2, we create Red from the game Transistor in a style inspired by Super Time Force Ultra. This is part 1 of a three-part series on how to do pixel art. For this reason, a new model based on failure pairs was presented in for the language that was then called TCSP ( Theoretical CSP). Later on, it was found that this model was lacking, for instance because deadlock behavior is not preserved. on the sequences of actions a process can perform. This is a model based on trace theory, i.e. This paper inspired Milner to treat message passing in CCS in the same way.Ī model for CSP was elaborated in. The language CSP (Communicating Sequential Processes) described in has synchronous communication and is a guarded command language (based on ). The important step is that he does away completely with global variables, and adopts the message passing paradigm of communication, thus realizing the second paradigm shift. Hoare, born in 1934, published the influential paper as a technical report in 1976. Baeten, Davide Sangiorgi, in Handbook of the History of Logic, 2014 4.3 CSPĪ very important contributor to the development of process calculi is Tony Hoare. For x 0, F ′ ( x ) = + 1, thus the derivative is discontinuous at x = 0. The prototype example is the absolute value function F ( x ) = | x |. In such cases, the derivative F ′ ( x ) at a point is discontinuous, depending on which direction it is evaluated. We might also have to contend with functions which are continuous but not smooth. Such pathological behavior is, as we have noted, rare in physical applications. (Actually, for a finite-jump discontinuity, mathematical physicists regard F ′ ( x ) as proportional to the deltafunction, δ ( x - a ), which has the remarkable property of being infinite at the point x = a, but zero everywhere else.) Even a continuous function can be nondifferentiable, for example, the function sin ( 1 / x ), which oscillates so rapidly as x → 0 that its derivative at x = 0, is undefined. The derivative cannot be defined at that point. Figure 6.5 shows an example of a function F ( x ) with a discontinuity at x = a. A necessary condition for F ′ ( x ) to exist is that the function be continuous. But just to placate any horrified mathematicians who might be reading this, there are certain conditions which must be fulfilled for functions to be differentiable and/or integrable. For functions which correspond to physical variables, this is almost always the case. In our definitions of derivatives and integrals, we have been carefree in assuming that the functions F ( x ) and f ( x ) were appropriately well behaved. Solve engineering problems involving integration. Understand what is involved in the calculus operation of integration Solve engineering problems involving rates of change Use calculus notation for describing a rate of change (differentiation) and understand the significance of the operation Understand the concept of a limit and its significance in rate of change relationships Objectivesīy the end of this chapter, the reader should be able to: The topic continues in the next chapter with a discussion of the use of differential equations to represent physical systems and their solution for various inputs. This chapter is an introduction to the techniques of calculus and a consideration of some of their engineering applications. This will become evident in the next chapter where physical systems will be modelled and the use of ‘rates of change’ equations (called differential equations) will allow the physical system to be represented, an analysis made and a solution formed under defined conditions. Calculus is concerned with two basic operations, differentiation and integration, and is a tool used by engineers to determine such quantities as rates of change and areas in fact, calculus is the mathematical ‘backbone’ for dealing with problems where variables change with time or some other reference variable and a basic understanding of calculus is essential for further study and the development of confidence in solving practical engineering problems. About 01:41:01, the Agana tower controller cleared flight 801 to land. The first officer contacted the Agana tower: "Korean air eight zero one intercept the localizer six left." The airplane was descending below 2,000 feet msl at a point 6.8 nm from the runway threshold (3.5 nm from the VOR). please set it." An unidentified voice in the cockpit then responded, "yes." About 01:40:42, the CERAP controller instructed flight 801 to contact the Agana control tower. About 01:40:22, an unidentified voice in the cockpit said, "glideslope is incorrect." As the airplane was descending through 2,400 feet msl, the first officer stated, "approaching fourteen hundred." About 4 seconds later, when the airplane was about 8 nm from the runway 06L threshold, the captain stated, "since today's glideslope condition is not good, we need to maintain one thousand four hundred forty. The flight engineer asked, "is the glideslope working? glideslope? yeh?" One second later, the captain responded, "yes, yes, it's working." About 01:40, an unidentified voice in the cockpit stated, "check the glideslope if working?" This statement was followed 1 second later by an unidentified voice in the cockpit asking, "why is it working?" The first officer responded, "not useable." The altitude alert system chime sounded and the airplane began to descend from an altitude of 2,640 feet msl at a point approximately 9 nm from the runway 06L threshold. One minute later the controller stated, "Korean Air eight zero one cleared for ILS runway six left approach.glideslope unusable." The first officer responded, "Korean eight zero one roger.cleared ILS runway six left " his response did not acknowledge that the glideslope was unusable. At that time, flight 801 was descending through 2,800 feet msl with the flaps extended 10° and the landing gear up. After this transmission, the flight crew performed the approach checklist and verified the radio frequency for the ILS to runway 06L.Ībout 01:38 the CERAP controller instructed flight 801 to ".turn left heading zero nine zero join localizer " the first officer acknowledged this transmission. At 01:24 requested a deviation 10 miles to the left to avoid severe weather.Īt 01:31 the first officer reported to the CERAP controller that the airplane was clear of cumulonimbus clouds and requested "radar vectors for runway six left." The controller instructed the flight crew to fly a heading of 120°. In case of go-around, since it is VFR, while staying visual and turning to the right.request a radar vector.if not, we have to go to FLAKE.since the localizer glideslope is out, MDA is five hundred sixty feet and HAT is three hundred four feet."Ībout 01:13 the captain said, "we better start descent " shortly thereafter, the first officer advised the controller that flight 801 was "leaving four one zero for two thousand six hundred." During the descent it appeared that the weather at Guam was worsening. I will add some more speed above the target speed. The captain then began briefing the first officer and the flight engineer about the approach and landing at Guam: "I will give you a short briefing.ILS is one one zero three.NIMITZ VOR is one one five three, the course zero six three, since the visibility is six, when we are in the visual approach, as I said before, set the VOR on number two and maintain the VOR for the TOD, I will add three miles from the VOR, and start descent when we're about one hundred fifty five miles out. About 01:10, the controller instructed flight 801 to ".descend at your discretion maintain two thousand six hundred." The first officer responded, ".descend two thousand six hundred pilot discretion." The CERAP controller told flight 801 to expect to land on runway 06L. Upon arrival to the Guam area, the first officer made initial contact with the Guam Combined Center/Radar Approach Control (CERAP) controller about 01:03, when the airplane was level at 41,000 feet and about 240 nm northwest of the NIMITZ VOR/DME. The Boeing 747-300 departed the gate about 21:27 and was airborne about 21:53. Korean Air Flight 801 was a regular flight from Seoul to Guam. Won Pat International Airport (GUM/PGUM), Guam Seoul-Gimpo (Kimpo) International Airport (SEL/RKSS), South Korea Accident investigation report completed and information capturedĤ,8 km (3 mls) SW of Guam-Agana International Airport (GUM) ( Guam) down and played my heart out with selections from Beethoven and Chopin, and the Toccata by Ravel. Given the importance of RP in music, the results suggest that more emphasis should be place on RP training, particularly in East Asian countries. The 1 best-selling ear training method for 30 years. These noticeable contrasts between AP and RP performance in different countries suggest influences of the underlying socio-cultural conditions, presumably relating to music education. Participants from China were typically intermediate on both measures. In contrast, only a small percentage of participants from Poland, Germany, and the USA were identified as accurate AP possessors, whereas many more were accurate RP possessors. The conservatory-level Japanese students showed the highest AP performance and more than half of them were classified as accurate AP possessors, but only 10% were classified as accurate RP possessors. Participants wrote down note names in the AP test and scale-degree names or musical interval names in the RP test. In the RP test, ascending musical intervals from 1 to 11 semitones were presented in four different keys. In the AP test, 60 single tones were presented in a quasirandom order over a five-octave range. In this study, music students in East Asian and Western countries (Japan, China, Poland, Germany, and USA) were tested on AP and RP abilities. However, relative pitch (RP)-an ability to perceive pitch relations-is more important in most musical contexts. As a group, they came within a half-tone of the original note 95 percent of the time.A bsolute pitch (AP)- an ability to identify an isolated pitch without musical context-is commonly believed to be a valuable ability for musicians. The people with perfect pitch were "phenomenally accurate," he said. Prior studies showed they would obliterate the subject's short-term memory of the first tone. Around five percent of individuals with ASD have this rare ability regardless of musical training, and in musicians with absolute pitch memory. And they did well - both those identified as having perfect pitch, and those with good relative pitch or tonal memory.īut Ross then replaced the silent interval with "interfering tones" - a series of as many as 71 tones of various pitches. "Everybody should be able to do that task, regardless of musical ability, or whether they have perfect pitch," he said. After silent intervals, they were asked to match the original tone by turning a knob on the machine. Some were true notes, others slightly mis-tuned to frequencies not on the Western musical scale. This majestic online game lets you decide how powerful your Empire will become play FOE now. Whether you play the strategy game as a peaceful ruler or evil emperor ambushing neighboring settlements is up to you to decide. To test the idea, Ross had 65 test subjects listen through headphones to a wide range of pure tones produced by a machine. Following a few settlers through the ages into medieval times, it depicts the conquest of the world by your thriving realm. It is the most difficult as well as the most grateful task, and it is the only way to reach perfection. Learning and teaching to hear is the first task of both pupil and teacher. That should make it possible to form a long-term memory of it. Should there be lacking the least element of pitch, strength, or duration, the tone is imperfect and does not meet the requirement. To someone with perfect pitch, he said, a C has a "salience," or identity, all its own. |
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